Samyang 85mm f1.4
Summary
Viewed in closing off, the Samyang 85mm f1.4 delivers very good results. The quality in the middle is a little soft and exhibits some fringing with the aperture wide open but improves a great deal at f4 and by f8 is look selfsame crinkle. Meanwhile in the corners, the quality looks great even with the aperture wide wide-eyed, although strangely chromatic aberrations become more visible as the aperture closes. Arsenic such on our peculiar taste, IT was hard to pick a sweetspot in the aperture range for the entire physical body, merely the full news is the fringing is easily eliminated victimisation software tools, so much as those in Adobe Camera RAW.
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Samyang 85mm f1.4 -
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The Samyang Rokinon 85mm f1.4 is an affordable brief telephoto lens with a bright focal ratio that's ideal for portrait work. Like other Samyang lenses, it's manual focus only, but comes in at a considerably lower price point than similar lenses from the big camera companies. Note Samyang lenses are branded as Rokinon and Walimex in few regions.
The lens comes in two versions: the basic non-AE interlingual rendition is available for Canon, Nikon, Pentax, Sony A, Sony E, Four Thirds and Samsung mounts, spell an extra AE translation is solely available for the Nikon mount and features additional circuitry which passes metering information and allows the camera to show a focus check through the viewfinder – although some the AE and non-AE versions remain fully extremity focus.
The AE version measures 72mm in length, has a upper limit diam of 78mm, an optical mental synthesis with nine elements in septet groups, a minimum focusing distance of 1m, weighs 520g and employs 72mm filters. The headline specification though is Price which is lower than even 85mm f1.8 lenses from the big names. So the interrogative is how does the quality compare? I've begun a series of tests with the Samyang 85mm f1.4 AE using the demanding Nikon D800e and dismiss share quality comparisons with the premium Nikkor 85mm f1.4G below. I'll add more results to this report in the upcoming including astuteness of subject and bokeh comparisons. In the in the meantime though scroll down to see how the sharpness compares on a landscape guesswork focused to eternity.
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| To appraise the genuine-liveliness performance of the Samyang 85mm f1.4, I shot this landscape scene with every aperture scope using a Nikon D800e mounted on a tripod. The D800e was set to its base sensitivity of 100 ISO and the lens manually focused on the snapper of the piece using magnified Live View assistance. The crops are taken from the areas marked by the red squares in the middle and lower right box of the FX full-frame up. I also shot this scene moments late victimization the Nikkor 85mm f1.4G and ou can see the equivalence bring dow on this page. |
I shot the scene using the D800e's RAW mode and milled the files in Adobe Television camera Crude (ACR) via Photoshop using the following settings: Sharpening at 70 / 0.5 / 36 / 10, Luminance and Colour Noise Reduction both set to cardinal, and the Serve to 2012 with the Adobe Standard profile. The high degree of sharpening with a small radius enhances the finest details without causation ineligible artefacts. Every crystalline lens corrections were hors de combat, so there's no additional software package compensation for vignetting, geometric distortion or chromatic aberrations.
I'll readily accept I was expecting a modest result from this affordable lens with the aperture wide unobstructed, but as you can see below, the quality is actually pretty good. On the downside the craw from the center is suffering from reduced contrast, along with any chromatic aberrations and flare in and just about bright areas, but the level of detail ISN't bad. Impressively, if a smallish strangely, the result form the far street corner of the full-set up is even better with a dominating level of detail, reasonable demarcation and no chromatic aberrations to quotatio.
A the aperture is restricted, the quality in the center improves with a gradual reduction in flare and chromatic aberrations, united with a boost in contrast and sharpness. I'd say the peak in the center is at f8, although the f5.6 result isn't bad.
Eastern Samoa the aperture is closed, the sharpness also gradually improves in the corner, albeit to a lesser degree and strangely you'll notice chromatic aberrations in reality increasing with little f-Book of Numbers. This is the opposite to what I'd expect, but I can confirm the results you find here are correct. By the time the lens reaches f8, the fringing in the corners becomes quite protrusive viewed at 100%, and worryingly it's occurring in areas of not particularly high counterpoint.
This makes information technology hard to recommend a sweetspot in the aperture range for the entire frame. The quality in the center decidedly benefits from beingness stopped-down to more or less f8, whereas the peak for the corner is arguably around f2.8 to f4. Beyond this not only do chromatic aberrations become obtrusive in the corner, but the general sharpness looks a little softer too.
The good newsworthiness is you privy effectively eliminate the chromatic aberrations using software tools the likes of those in the Adobe Camera RAW module, and I'll show you an example below this foremost defer. After that you can see how the Samyang 85mm f1.4 compares against the substantially more expensive Nikkor 85mm f1.4G. Scroll down to realise more results!
| Samyang 85mm f1.4 turning point sharpness | Samyang 85mm f1.4 center sharpness | |
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| Samyang 85mm f1.4 corner crop at f1.4 | Samyang 85mm f1.4 center crop at f1.4 | |
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| Samyang 85mm f1.4 nook crop at f1.8 | Samyang 85mm f1.4 nitty-gritty crop at f1.8 | |
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| Samyang 85mm f1.4 corner graze at f2 | Samyang 85mm f1.4 center crop at f2 | |
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| Samyang 85mm f1.4 corner clip at f2.8 | Samyang 85mm f1.4 center crop at f2.8 | |
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| Samyang 85mm f1.4 street corner crop at f4 | Samyang 85mm f1.4 center crop at f4 | |
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| Samyang 85mm f1.4 corner crop at f5.6 | Samyang 85mm f1.4 center range at f5.6 | |
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| Samyang 85mm f1.4 corner crop at f8 | Samyang 85mm f1.4 shopping center crop at f8 | |
| Samyang 85mm f1.4 corner crop at f11 | Samyang 85mm f1.4 center crop at f11 |
Samyang 85mm f1.4 with and without purplish-blue aberrance correction
Below is an object lesson of the corner quality at f8 without lens department of corrections in the lower left and with chromatic distortion correction enabled in the lower right. As you can see, the genus Lens corrections in Adobe Television camera Unfinished efficaciously remove any coloured fringing, greatly improving the overall quality, although argaubly the sharper result in the recess remains at larger apertures nigher to f4.
| Samyang 85mm f1.4 recession sharpness at f8 | Samyang 85mm f1.4 niche sharpness at f8 | |
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| Samyang 85mm f1.4 box crop at f8 | Samyang 85mm f1.4 center crop at f8 |
| To compare the real-life performance of the Samyang 85mm f1.4 against the Nikkor 85mm f1.4G, I shot this landscape panoram with every aperture place setting on both lenses moments apart victimisation a Nikon D800e mounted on a tripod. The D800e was set to its base sensitivity of 100 ISO and the lens convergent on the center of the composition using magnified Live View assist. This first defer compares the FX corner performance from the lower right area scarred by the red square. |
I injection the scene using the D800e's Unjust mode and processed the files in Adobe Camera RAW (ACR) via Photoshop victimisation the following settings: Sharpening at 70 / 0.5 / 36 / 10, Luminance and Colour Noise Reduction some set to zero, and the Work on to 2012 with the Adobe Standard visibility. The high degree of sharpening with a small spoke enhances the finest details without causing undesirable artefacts. All lens corrections were disabled, so there's no additional software program compensation for vignetting, geometric distortion or chromatic aberrations.
This is a attractive compare that's decidedly split into two halves. The Samyang 85mm f1.4 enjoys a very strong start, amazingly delivering a crisper result than the Nikkor 85mm f1.4G in the corner when both have their apertures wide open. This advantage continues at f1.8 and f2, although past f2.8 the Nikkor has clean virtually involved.
But then at f4 the tables are overturned as the Nikkor 85mm f1.4G overtakes the Samyang, delivering a sharper result. As the aperture is closed further, the Nikkor performs as expected, becoming steadily sharper, although as we saw earlier, the Samyang's corner performance actually appears to decrease on the far side f4. Thusly at f5.6 the Nikkor is look much better and by f8 there's a significant difference in prime.
Then at f4 and small apertures, the pricier Nikkor 85mm f1.4G enjoys the decisive lead you'd wait from a lens system which costs well more. IT's also magnificent to feel at the results from the Nikkor and remind yourself these were processed with none lens system department of corrections at entirely.
In real time scroll down further to see how the two 85mm lenses compare midmost of the frame.
| Samyang 85mm f1.4 corner sharpness | Nikkor 85mm f1.4G corner sharpness | |
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| Samyang 85mm f1.4 corner crop at f1.4 | Nikkor 85mm f1.4G recession crop at f1.4 | |
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| Samyang 85mm f1.4 corner crop at f1.8 | Nikkor 85mm f1.4G corner cultivate at f1.8 | |
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| Samyang 85mm f1.4 tree crop at f2 | Nikkor 85mm f1.4G corner crop at f2 | |
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| Samyang 85mm f1.4 corner crop at f2.8 | Nikkor 85mm f1.4G corner crop at f2.8 | |
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| Samyang 85mm f1.4 corner crop at f4 | Nikkor 85mm f1.4G corner crop at f4 | |
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| Samyang 85mm f1.4 corner crop at f5.6 | Nikkor 85mm f1.4G corner crop at f5.6 | |
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| Samyang 85mm f1.4 corner pasture at f8 | Nikkor 85mm f1.4G street corner crop at f8 |
| To compare the actual-life performance of the Samyang 85mm f1.4 against the Nikkor 85mm f1.4G, I shot this landscape scene with every aperture setting on some lenses moments apart victimisation a Nikon D800e mounted on a tripod. The D800e was set to its base sensitivity of 100 ISO and the electron lens focussed connected the center of the composition using magnified Live Survey help. This next table compares the center operation noticeable by the red square. |
I shot the scene exploitation the D800e's RAW mode and semi-processed the files in Adobe Camera RAW (ACR) via Photoshop victimisation the favourable settings: Sharpening at 70 / 0.5 / 36 / 10, Luminance and Colour Noise Reduction both set to zero, and the Process to 2012 with the Adobe Standard visibility. The altissimo degree of sharpening with a small wheel spoke enhances the finest details without causing undesirable artefacts. All electron lens corrections were disabled, so there's none additional computer software compensation for vignetting, geometric distortion operating theatre chromatic aberrations.
With both lenses all-inclusive open at f1.4, the quality in the middle of the fles is quite alike. Both lenses are suffering from reduced contrast, sharpess and a little flare, but the Nikkor is a little crisper and exhibits fewer chromatic aberrations. But this is pixel-peeping at 100%, and the good news is both lenses are roughly similar in the eye when wide open, which bequeath please portrait photographers on a budget.
Some lenses become cardsharper as their apertures are blinking, but the revealing thing here is how much faster this happens on the Nikkor compared to the Samyang. You have to buddy-buddy the Samyang to close to f8 ahead IT attains peak sharpness, whereas the Nikkor arguably reaches it at f2.8 and enjoys a decisive advantage from this point on. You can really see this in the finest inside information, such as in the shoetree in the upper far left corner of the crop. The Samyang does catch up with up much by f8, but the Nikkor remains noticeably sharper even at this point.
| Samyang 85mm f1.4 center edge | Nikkor 85mm f1.4G center pungency | |
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| Samyang 85mm f1.4 center crop at f1.4 | Nikkor 85mm f1.4G center crop at f1.4 | |
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| Samyang 85mm f1.4 centre lop at f1.8 | Nikkor 85mm f1.4G center range at f1.8 | |
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| Samyang 85mm f1.4 middle-of-the-road crop at f2 | Nikkor 85mm f1.4G plaza harvest at f2 | |
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| Samyang 85mm f1.4 center graze at f2.8 | Nikkor 85mm f1.4G center crop at f2.8 | |
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| Samyang 85mm f1.4 center crop at f4 | Nikkor 85mm f1.4G center crop at f4 | |
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| Samyang 85mm f1.4 nerve centre crop at f5.6 | Nikkor 85mm f1.4G shopping mall lop at f5.6 | |
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| Samyang 85mm f1.4 nub crop at f8 | Nikkor 85mm f1.4G center trim at f8 |
Samyang 85mm f1.4 verdict
This review is a figure out-in-progress and I trust to add some depth of field and bokeh quality comparisons along with some comments on build and focusing performance in the near hereafter. Indeed ripe directly I posterior only comment along the quality when focused at infinity.
Viewed in isolation, the Samyang 85mm f1.4 delivers same effective results. The quality in the middle is a smallish soft and exhibits roughly fringing with the aperture beamy open but improves very much at f4 and by f8 is superficial very crisp. Meantime in the corners, the quality looks capital regular with the aperture wide open, although oddly chromatic aberrations become more visible as the aperture closes. Eastern Samoa such on our uncommon sample, it was ticklish to pick a sweetspot in the aperture range for the entire systema skeletale, but the proficient newsworthiness is the fringing is easily eliminated using package tools, such as those in Adobe Camera In the altogether.
Yet so good, simply how does the Samyang compare against the Nikkor 85mm f1.4G? This is perhaps an unfair comparison as the Nikkor is a considerably more expensive lens, but since both share the same central duration and ratio, it's a equivalence which many bequeath be curious about.
When both lenses have their apertures wide open, they're in reality signally close in quality. The Nikkor enjoys a minor adjoin in the midst, only the Samyang looks a little better in the extremum corners, which is an sensational result considering the price difference. It also means both lenses will perform similarly in terms of sharpness in their intended portrait environments. Once more the Nikkor is a moment sharper in the middle at f1.4, but there's not so much in it.
Simply As both lenses are stopped-set, the differences become plain. In the middle, the Nikkor improves dramatically between f1.8 and f2, and arguably delivers peak sharpness between f2.8 and f4. Meanwhile the Samyang corpse quite soft in comparison as these apertures and inevitably to be closed to f8 in front it's reached peak sharpness – and even at f8, the Nikkor remains crisper in the middle.
Turning to the corners, the Samyang may savour a minor advantage over the Nikkor with the aperture between f1.4 and f2.8, but at f4 the Nikkor leaps ahead with a result which gets card sharper and sharper as the aperture is closed, whereas the Samyang strangely becomes softer and suffers from inflated chromatic aberrations.
So when both lenses are wide open, the sharpness across the frame in is similar, but atomic number 3 the aperture is unopen, the Nikkor quickly takes over and delivers observably sharper results. Sol if you were using the electron lens for detailed landscapes or architectural shots, you'll so much choose the Nikkor, but these f1.4 lenses are in the first place aimed at portrait work with their apertures wide-cut open, at which point they'Re really very close in performance. I'll be adding some bokeh and profoundness of field comparisons soon, but for now, the results at f1.4 are very promising for the cheaper Samyang. It's also most-valuable to remember that if you were willing to stop the lens down for better quality, you Crataegus oxycantha too go for a cheaper 85mm f1.8 lens instead, and I can highly recommend the Nikkor 85mm f1.8G – see my Nikkor 85mm f1.8G review.
Sol if you're concentrating on the performance at f1.4, where does that give the Nikkor 85mm f1.4G? Well in terms on performance when focused at eternity, there's not much in it, and the only real advantage of the Nikkor is its ability to autofocus and exploit the full metering capabilities of modern bodies. It's also tougher, but models like the Samyang 85mm f1.4 are really shaking up the market and proving enceinte calibre can be had at a much lower price, and then long as you'rhenium willing to manually focus.
I look forward to updating this reassessmen in the near emerging, so delight check back soon!
Samyang 85mm f1.4
Source: https://www.cameralabs.com/samyang_rokinon_85mm_f1-4_ae/
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